F451 Quotes About Montag in Trouble for Wanting to Read
Fahrenheit 451 | Quotes
ane.
It's fine work. ... burn 'em to ashes, then burn the ashes. That's our official slogan.
Montag, Role i (Montag's Encounter with Clarisse)
Montag speaks these words to Clarisse when they beginning meet. She asks him about beingness a firefighter, and he explains that this is the firemen's motto. Works by classic American authors are just tasks to be checked off on a listing every bit their works are burned past firemen. But it is not enough to "burn 'em to ashes." The firemen are committed to burning the ashes, too. The firemen's motto promises destruction upon destruction, suggesting that the level of aggression toward books goes across just destroying them.
ii.
"I don't know annihilation anymore," he said, and let a sleep lozenge deliquesce on his tongue.
Montag, Office one (Mildred Overdoses)
Montag speaks these words to himself before drugging himself in order to sleep. However, these words are a lie, or more accurately a denial. He says this after he's met Clarisse and afterward Mildred has overdosed, perhaps trying to commit suicide. Montag is starting to realize how unhappy his life is, and this unfamiliar feeling makes him deeply, profoundly uncomfortable.
3.
A book lit, almost obediently, like a white pigeon, in his hands, wings fluttering.
Narrator, Part 1 (Burning the Onetime Adult female's House)
Every bit Montag and the other firemen search the onetime woman'south house, Montag is bombarded by stacks of falling books. Like many inanimate objects in the novel, the volume is equated with a living thing, a white pigeon. Books in the novel provide not simply cognition, but humanity and emotion, the very stuff of life. A bird is symbolic of flight and transcendence. Through books, Montag will find the inspiration to escape and transcend his civilisation.
iv.
"You can stop counting," she said. She opened the fingers of i hand slightly and in the palm of the hand was a single slender object. An ordinary kitchen lucifer.
One-time woman, Part one (Burning the Former Woman's House)
When the woman reveals the friction match, she turns the tables on the firemen. Before this moment, they were going to have all the ability and pleasure of burning her books without fright of retribution. In revealing the lucifer, she is telling them she'll do the burning, that she'due south willing to die with her books, and that if they aren't careful, she's likely to fire them, too.
v.
She's nix to me; she shouldn't have had books. It was her responsibility ... I detest her.
Mildred, Part 1 (Burning the Erstwhile Woman'due south House)
Later on the firemen burn a house full of books and the woman who owns them, Montag shares this painful event with his married woman, Mildred. He'due south moved by the event (burning the books and burning the woman). Mildred, on the other hand, feels no empathy whatsoever, first declaring that the woman is "nothing" to her, so deciding that she hates her. Mildred reflects the view of her order: the woman brought her problems on herself by breaking the law and deserves no empathy.
half dozen.
Those who don't build must burn. Information technology'southward as old as history and juvenile delinquents.
Faber, Office two (Montag Talks with Faber)
Faber says this to Montag late in their long talk nearly what to do to modify social club. Here Faber is cartoon a articulate and absolute distinction between ii types of people and two courses of activity: those who build and those who destroy. The profound situational irony in the novel is that information technology is the people in power who destroy with government approval, while rebels such as Montag fight for their right to read books in order to rebuild their lodge.
7.
Sometime Montag wanted to fly near the sun and now that he's burnt his damn wings, he wonders why.
Beatty, Office three (Montag Burns His House)
Beatty, Montag, and the other firemen have responded to an alarm and gone to Montag'due south business firm. This line refers to the Greek myth of Icarus. Icarus and his father, Daedalus, are trapped in the labyrinth of King Minos. Daedalus makes wings for both of them from wax and feathers so they tin escape, merely Daedalus warns Icarus not to fly likewise loftier, because the sun volition cook his wings. The myth serves as a standard reference against arrogance or going too far. In this case Beatty suggests Montag is Icarus and reading is his attempt to fly too high. It is too a warning to Montag. If yous wing too loftier, you will burn and die.
8.
What is information technology virtually burn that's so lovely? No matter what age we are, what draws usa to it?
Beatty, Role three (Montag Burns His House)
Beatty says this to Montag when they're about to fire his books—and his house. It'due south another line that shows the complexity of Beatty's character. This is an intelligent, almost poetic reflection on the nature of fire. Beatty seems to have both the kind of listen his society needs and the familiarity with books Montag wants to develop. Yet, Beatty makes his comments on the dazzler of fire simply before he uses it as an instrument of destruction against Montag. The situational irony is profound.
9.
Beatty flopped over and over and over, and at terminal twisted in on himself like a charred wax doll and lay silent.
Narrator, Part 3 (Montag Burns His Business firm)
This is the description of the moment Montag burns his dominate, Captain Beatty, alive. When Beatty tells Montag he'll be able to trace Faber due to the audio capsule he has constitute, Montag snaps. He kills his dominate in a horrific, painful fashion with what Beatty seems to admire most in the earth, burn down. Fire likewise represents Beatty'south authority over others and his allegiance to the state. His burning is a startling reversal that reduces a powerful, loquacious homo to a silent, charred doll.
10.
Once, long ago, Clarisse had walked here, where he was walking now.
Narrator, Part iii (Montag Joins the Outcasts)
This line refers to something Montag feels intuitively: when he walks on the railroad tracks, he's walking somewhere Clarisse walked earlier him. There is no manner for him to know this for sure. Instead, this intuition is symbolic. In learning to think for himself, Montag is following a path Clarisse walked kickoff.
11.
Stuff your eyes with wonder, he said ... See the globe. Information technology'south more fantastic than any dream made or paid for in factories.
Granger, Part 3 (Civilization Is Bombed)
Late in Fahrenheit 451, subsequently Montag joins the group of men who accept memorized books, he and the grouping leader, Granger, are talking. At one signal, Granger tells virtually his grandfather, whose outlook on life could serve as the moral of the novel, a series of lessons on how to alive fully and joyfully. This contrasts with the deliberate ignorance and dehumanization of the guild Montag has fled, where empty boob tube plot lines and fast-moving cars take the identify of marvel about the world.
12.
Aye, thought Montag, that'due south the one I'll relieve for apex. For noon ... When nosotros reach the city.
Montag, Role 3 (Civilization Is Bombed)
These are final lines of Fahrenheit 451. They are Montag's thoughts afterward he'due south had lines from Revelations, the final volume of the Christian Bible, running through his head. He has been considering memorizing passages from Ecclesiastes, looking for wisdom and appropriate commentary, but settles instead on Revelations and a verse almost healing nations. This comments on his and the book lovers' want to heal their nation, civilisation, and world.
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